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Copyright revisions under TPP must take cultural development into consideration

The Mainichi | 20 February 2016

Copyright revisions under TPP must take cultural development into consideration

The Agency for Cultural Affairs is preparing to submit a bill to the Diet to amend the Copyright Act following the signing of the Trans-Pacific Partnership (TPP) free trade agreement. Keeping in mind the spirit of the law, revisions should be made to improve the copyright protection system while considering the balance between protection and the use of copyrighted works in terms of contributing to the development of culture.

The TPP covers not only trade rules, such as the elimination and reduction of import tariffs, but also comprehensive rules on investment and intellectual property rights.

The broad agreement reached on copyright issues is favorable to individuals and organizations holding copyrights, since the accord calls for an extension of the copyright protection period. It is only natural for Japan to attach particular importance to the protection of intellectual property rights since the country is promoting anime and video games in the world as part of its "cool Japan" strategy. However, if copyrights are excessively protected, it could hinder creative work.

In particular, the extension of the protection period and strengthening of crackdowns on copyright violators could have a serious impact.

Under TPP, the copyright protection period will be extended from 50 years following the copyright holder’s death to 70 years. Already in many major countries, the copyright period is set at 70 years.

However, works that continue to be used over 50 years after their copyright holders’ deaths are limited. It is believed that there will emerge a growing number of works whose copyright holders remain unknown, and it is therefore necessary to work out measures to facilitate the use of such works. The current system, under which the director general of the Agency for Cultural Affairs approves the use of works on behalf of their copyright holders, should be improved to make it easier to use such works.

Copyright violations will be turned into offenses subject to prosecution even without criminal complaints from victims. However, some people have expressed concerns that this could have a chilling effect on creators, since there are numerous masterpieces in Japan that are based on parodies of characters in well-known manga works.

Japan’s insistence that the scope of copyright violations subject to indictment even without complaints from victims be limited was upheld in the TPP talks. The government is considering making works that are pirated without the copyright holders’ permission subject to prosecution even without complaints from the victims. The Copyright Act should be clear on this point to relieve creators’ concerns.

It is regrettable that the system of wartime copyright extensions, which is disadvantageous for Japan, was not scrapped during TPP negotiations. The system extends the copyright protection period for the Allies in World War II by about 10 years. The government should support the private sector’s move to have the system scrapped, considering the extension of the overall copyright protection period to 70 years.

The introduction of a so-called "fair use" system, which is aimed at comprehensively limiting the application of copyrights, is being considered against the backdrop of the trend of digitization. The system is based on the idea prevalent particularly in the United States that the fair use of copyrighted works for the purpose of critique, news coverage or research does not constitute a violation of copyright.

However, when the line between what is acceptable and what constitutes copyright violations is unclear, violations could spread. For this reason, the system should not be introduced without careful deliberation.

Revisions to the Copyright Act would affect not only copyright holders but also those who use and enjoy culture. The government must therefore notify the public of any amendments in detail.

 source: The Mainichi